DMb | Dance Music blog & Podcast

Xone delivers a top of the line DJ controller to put all others to shame. Check it out:

After weeks of speculation and buzz around the industry, Allen & Heath and Serato Audio Research have announced the launch of the Xone: DX, a new Plug’n'Play DJ controller, the result of close collaboration between the two companies. The DX, another development in Allen & Heath’s Xone: D range of controllers, is a 20-channel USB soundcard and features total integration of the brand new 4-deck Serato ITCH software.

Boasting the ability to send up to 168 individual MIDI control messages, a 20-channel 96kHz/24-bit USB 2.0 soundcard, two dual layer deck simulators, and RIAA/phono inputs for external decks, as well as the central 4 channel mixer section which directly manipulates the DSP mixing within the computer, the Xone: DX is the most versatile, high specification professional DJ controller to date. A full version of the new Serato ITCH software is supplied with the DX, providing unique 4-deck control, and a comprehensive set of digital DJ FX, as well as looping and time-stretching.

“Serato has always been an admirer of Allen & Heath’s DJ hardware and we’ve watched the development of the Xone: D series of controllers with keen interest. In our opinion, Allen & Heath design some of the best music production software controllers in the professional field,” explains Serato MD, Steve West. “Rather than a partnership to simply bundle our products, we wanted to collaborate with A&H at the drawing board stage, and design a product that would fully manipulate the new version of ITCH.”

The Xone: DX is also fully compatible with other leading DJ software brands, and has Allen & Heath’s customary pro modular design build and high quality components. It also has bi-colour LED feedback layer assignment, UV light sensitive legend, mix outputs on RCA and balanced XLR, a separate booth output, and measures 50mm deep to fit conveniently in a laptop bag.

“Ever since we launched the MIDI-enabled Xone:92 in 2003, followed by the multi-media Xone:3D in 2005, we have strived to design controllers that would fulfil a digital DJ’s wish list. The Xone: DX is the next step in this journey, with a versatile and wide-ranging set of features in a compact package,” comments Xone designer, Andy Rigby-Jones.

Suggested retail price is £999 shipping in November 2009.

More info at Xone Website

I recently heard about TechnoBox from AudioRealism for the iPhone and iPod Touch, and already being a fan of thier Bassline VST instrument I had to check it out. $10 for this app is a steal when compared to the price of a VST instrument or any music creation software for that matter. Compared to the price of most iPhone apps it is on the higher side but it’s well worth it. Basically TechnoBox is similar to the old Rebirth program by Propellerheads but better sounding. I definitely see someone using this app in a live set, but you would have to deal with manually syncing it up. Definitely worth a look.

From the AudioRealism website:

TechnoBox is your virtual techno studio on the go for iPhone / iPod touch featuring stunningly accurate emulations of three classic boxes: The legendary 303 bass line machine together with the smooth 808 and punchy 909 drum machines. technoBox has easy to use sequencing capabilities which lets you tie together patterns, or use it live by improvising pattern switches on the fly!

Featuring the same high quality audio engine as ABL2 which was painstakingly optimized to be able to run on mobile devices. For the uninitiated our audio engine has aliasing free oscillators and full range non-linear filters.

The drum section features 11 parts with 808 or 909 sounds (for a total of 22 sounds) with variable amount of shuffle per pattern.

technoBox comes with a session manager which allows you to load/save sessions in realtime without stopping the internal sequencer — great for saving realtime improvised patterns without interrupting the audio stream.

TechnoBox Website

At the National Association of Music Merchants (NAMM) expo, Akai showed the APC40 MIDI control surface it has developed in conjunction with Ableton, making it the first such device to be ready to run out of the box with the Ableton Live music editing software. As there is no need to load drivers, users simply plug in their notebooks via a USB port and can begin mixing or otherwise modifying their music using Ableton Live. The APC40 is being touted as the simplest, most direct hardware interface with the popular software, yet still allows advanced users to assign the board’s 40 buttons, knobs and fader controls to any virtual controls in the software.

Each control on the APC40 lights up in a different color to give users an instant indication of clip state. Likewise, the 16 knobs are lined by a ring of LED rings that perform the same functions. Akai points out the APC40 makes controlling music at live events much quicker and easier, taking the connected source, most often a notebook or desktop PC or Mac, out of the equation.

While software like Serato is very stripped down, it allows a DJ to quickly and easily perform his/her primary task – beatmatching and mixing music. The first time ever using Serato I quickly figured out how to use it with no instructions. The first time I looked at the user interface for Torq it made me want to cry. This interface is easily the most hideous looking thing I have seen in DJ Software market hands down! Even if M-Audio sent me a free copy I wouldn’t install this on my computer. I’m only reporting this new version of the software for those of you that do use it. I would love to hear some first hand comments about how great this software is so I can learn not to judge the software by the GUI, but I doubt I will hear any. Please let us know if you use this.

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So Antares just released Auto-Tune EFX which allows anyone to very easily achieve the Daft Punk – Cher vocal effect that has become quite commonplace lately.

From the Antares Website:

The quickest, easiest, most affordable tool for real-time pitch correction and creating the Auto-Tune Vocal Effect (the T-Pain/Cher-style effect).

Powered by the same ground-breaking Evo™ Voice Processing Technology as Antares’ Auto-Tune Evo, the latest generation of the worldwide standard in professional pitch correction, Auto-Tune EFX makes Antares-quality pitch processing accessible to anyone engaged in computer-based audio recording.

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I’m not sure how well this instrument would work with a DJ or Live set, but it would be interesting to see someone do it!

The iPhone Ocarina from Smule is the first instrumental application that turns the iPhone into a unique musical instrument. The traditional ocarina is a member of a very old family of musical instruments, dating back at least 12,000 years, in China and Mesoamerica. The Smule iPhone Ocarina brings this millenia-old musical tradition into the 21st century.

Here’s how it works. Once you’ve installed the application, hold the iPhone in such a way that you can conveniently press the four buttons while blowing into the microphone. That’s right; it’s a wind instrument.

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Why pay more for a lower quality DRM protected MP3?

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Browse through the iTunes Store, just as usual. Or use iTunes Genius feature to find new music. When you find something you want, click on Get MP3 from Amazon in the iTunes Script Menu. Advantageous MP3 takes you to the artist’s or album’s Amazon MP3 site. You can buy the music DRM-free and in better quality.

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Requires Mac OS 10.5 and iTunes 8

via: Advantageous MP3

This is an exciting announcement for users of Serato and Ableton software. It can only lead to more creative and interesting DJ sets in the future.

Here is the announcement from the Serato website:
Serato and Ableton are happy to announce a partnership, which will pave the way for the future of Digital DJing.

With shared artist rosters from hip-hop (DJ Jazzy Jeff, DJ Nu-Mark, A-Trak) to electronica
(Paul Van Dyk, DJ Sasha), both Ableton Live and Serato Scratch Live are renowned as the premier
performance platforms in clubs around the globe.

While Serato’s Scratch Live excels in vinyl emulation, music library control and lightning quick hands-on scratching, Ableton Live provides the tools for production, on-the-?y remixing and beat creation.

“Ableton and Serato take different approaches to modern musical performance,” says Ableton CEO
Gerhard Behles, “But both companies live by the philosophy that software should be straightforward,
easy to use, and most importantly, reliable and stable onstage and in the studio. Ableton has never had an answer for the DJ who wants vinyl control, and rather than try to emulate what Serato do so well, we simply make sure that our products work well together.”

Serato Audio Research CEO Steve West agrees. “After years of talking together, we’re thrilled to be
working with Ableton. It’s exciting to think about what we can offer to DJs and producers: the ability to go beyond just spinning records and add a personal stamp to the music they play.”

Just where this Serato and Ableton collaboration will take us has yet to be seen but one thing is clear: the worlds of DJing, remixing and production for artists worldwide have changes ahead.