DMb | Dance Music blog

We have a new interview with Master’s at Work’s Louie Vega talking about Soul Heaven, Current Projects, and little known bits about his personal life. Enjoy.

How important is Soul Heaven to you and why is you think they have been successful; proudly celebrating their 10th Anniversary?
At soul heaven we have always kept it real musically and all the djs have done wonderful work giving you the best in soul dance music. Soul Heaven always kept a close contact with the fans, and there is always an a class set of entertainment. With the cds, events worldwide, and quality of music they bring, you can’t go wrong. They are also friendly with all fans and give them the time they deserve. 10 years is a long time to keep for an ongoing party, and soul heaven has proven themselves in our industry.

Your career spans way more than ten years but can you remember the time when you celebrated 10 years in the industry and as MAW?
I will never forget our 10-year anniversary (maw). We had a huge party in Miami at opium garden, over 2000 people and the best live entertainment you could ever have. We invited the Nuyorican Soul band to back up Roy Ayers, Bebe Winans, Stephanie Mills, James Ingram, Jody Watley, and many more. Brazilian dancers, fireworks, the infamous MAW gift bags, and much more.

Soul Heaven brought together the soulful sounds of house and really gave it a worldwide stage. How have you seen dance music evolve over the last decade?
Dance music has evolved very much. From djs playing at the Olympics, to playing at the super bowl, working with cirque du soleil and even getting recognized at the Grammys with awards, dance music is growing in a big way. Many pop artists now are leaning towards dance music where before many in that world saw it as taboo. I only see it growing bigger in that way where the worlds will mix more musicially.

Are there any particular styles that you have seen arise and quite happily seen disappear…? (more…)

Erick Morillo interviewed Steve Angello, sent it our way to pass on to our readers, and is giving us 3 copies of Steve’s new double mix CD to give away to our US readers (sorry rest of the world we’ll try to make it up to you.) So drop us a comment and tell us where you’re writing from and we’ll do a drawing 24 hours from now for the 3 double packs. We’ve also got a audio player below the interview so you can preview the mixes.

Erick, take it away…

When you first started out did you wish you could be Erick Morillo?

Erick’s a big inspiration for a lot of DJ’s, you can see a little bit of him in everyone from David Guetta to us and to anybody. I think he’s a really big inspiration to house DJ’s.

At what point in your career did think ‘This is it, I’ve made it!’?

I still don’t think I’ve made it yet. There’s still so much more you can do and you can always achieve and accomplish more than what you’ve done. So I’m still waiting for that moment.

Tell me about your passions outside of music.

I’m definitely into cars and watches and food! I have 5 cars, 11 or 12 watches.

What’s the difference in your sound when you’re playing a stadium to when you’re playing an underground club?

When you play a stadium you can play the bigger music, you can drop the classics such as The Prodigy and The Chemical Brothers and you can do boot-legs and mash ups. I think when you play clubs you can go a lot more intimate and sexy and more bass-line based, more so than you can do at festivals.

Describe the style of your set.

The style I like is to go up and down and left to right with the music and I just try and make the people enjoy themselves and I think the way to do that various from different clubs and different cities and different parts of the world. In South America you have a certain sound, the same goes for America. I think in Europe you have to be more picky because the dance music culture has been there for a much longer time so I think the crowds in Europe are more educated than other places.

What’s this thing with Pharrell? Why are the big Hip Hop stars looking to top European DJ’s all of a sudden?

I think America has recently seen just how good dance music is. There’s a lot of energy in it with a lot of people having a good time. Me and Sebastian worked with Pharrell, and I worked with him again after that and I think they are trying to explore new genres to get involved in because everybody gets bored of doing whatever they do. So as much as they come to us, we’d like to work with them because they give us something that we don’t have and vice-versa.

Who would be your ultimate pop/rock hook-up?

I don’t set goals on artists. Madonna would be an achievement but there’s so many big acts around that you just have to find the one that fits you rather than just going for the biggest ones.

What is it about the Subliminal sound that you’re so attracted to? What have they got right?

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Sander van Doorn has been on a tear lately remixing some of the biggest artists out there and playing every massive around the world. He recently took some time to do a quick interview with DanceMusicblog and here it is.

So you’ve been getting a lot of great press lately and you’ve been doing some high-profile remix work for Depeche Mode and The Killers to name a few. How did you feel and what kind of approach do you take when doing a remix for such an influential band as Depeche Mode?

It was an honour to be asked to remix the Depeche Mode track. I’ve been a fan for years and feel privileged to have my name attached to their music. I guess I approach it the same as any other remix but make sure it really works and does the original song justice.

The Killers are one of the biggest bands on the planet with some great melodies. That can make remixing a track easy when you have great parts to work with, especially when it’s a strong vocal.

Did you get to speak with any if the band members of DM, The Killers, or other artists before you started work on a remix?

No I didn’t speak to them. It’s extremely rare to do so when you’re doing a remix.

They must, obviously, like your work to choose you to reinterpret their music. Did they give you any specific instructions or ideas they had for a remix or did you have complete control over it?

No they left me to do as I thought best. I guess I was chosen because they like my style and they thought it would work well with the parts of the tracks. Obviously you work very hard on a remix when it’s for artists like the Killers or Depeche Mode.

Your second remix of the Killers’ track Spaceman has been my favorite track the past month or so. The lead synth string sound has a haunting kinda feel to it. What can you tell us about that sound and how you work in the studio?

That sound is a sample from the Killers track that I treated with some overdrive and other effects. The best way to see how I work in the studio is to watch the Studio Sessions videos on my website which show how I create my projects, some of the equipment I use and some tips and tricks.
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Beatportal Interview:

DJs were confined to the turntable for a quarter of a century. They were slaves to the music. Rhythmically matching two records together was all they could do to help people dance. Then technology set them free.

CD players with loop functionality, FX units, and sophisticated mixers all helped DJs to seize control of the music in the 1990s. Software was the next phase and it is changing the very meaning of the word ‘DJ’.

Dutch producer and DJ Joris Voorn has embraced technology. His ‘Balance 14’ mix CD, released in February, saw Voorn mix over 100 tracks across two CDs, with each different track a layered construction of three or four different songs.

With mixing in parts (or molecular mixing) becoming more and more common, Beatportal decided to meet Joris Voorn to find out his opinion about what is the definition of a DJ today.
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After passing these guys at Global Gathering, I looked them up, listened to their work, spoke to them and thought that DMb readers should know all about them too…

JJ Metcalf and George Hilton, aka Vibrosis and Prof. Oblivion, won a Mixmag competition to open the Mixmag Terrace on the Friday, and their set proved that they were worthy winners!  The Buckinghamshire (UK) duo are based in London, and are hoping to play some more big stages in the not too distant future.  They play a wide range of styles, mixing some of the most unlikely tracks together – check out the Siegfried Android pages below to listen to some of them.

For Siegfried Android’s Global Gathering mix click here.  Leave a comment if you want the tracklisting for the mix – it’s too long post up.

Siegfried Android Myspace and Facebook pages:  www.facebook.com/pages/Siegfried-Android/10630644771  www.myspace.com/siegfriedandroid

Vibrosis told DMb:  “Global was unreal! Seriously, we were in Belgium when we got the call, had to take a week out of our trip to do it, was stressful was but well worth it. Apparently we nearly got disqualified because the mix we sent Mixmag overran by like 10 minutes.  The crowd were easily the biggest and best crowd we’ve played to so far – you guys just loved every bit of it!”

Ones to keep an eye out for in the future…

Think Dance Music blog readers would be interested in your work?  Get in touch at dancemusicblog@googlemail.com.

Pitchfork Media has a rare and interesting interview with Daft Punk’s Thomas Bangalter. Check it out HERE.